dynamic audio professional
14 + of experience blending technical expertise and creative vision
Specializing in sound mixing, music production, and sound design
a selection of Projects spanning ‘14-’24
Sound for Visuals
Albert Posis
Audio Engineer – Re-Recording Mixer & Mastering
Project Scope:
Three-day production encompassing a 1-day for tech rehearsal and on the day of a 15-sound check for talent before going live.
Crafted an original composition reinterpreting the iconic McDonald melody to create familiarity and comfort with a fresh take
Delivered multiple discrete audio feeds tailored for key stakeholders including directors, producers, studio audience monitoring, and post-production workflows.
The live performance was captured directly from the FOH mixing console and entered Reaper via pre-fader direct outs, recorded at 24-bit/48kHz resolution as you would a musical performance
McDonald’s: Golden Arches Cafe Series
Bo Napoleon
Live Sound Engineer – Re-Recording Mixer & Mastering
Project Scope:
One-day production featuring a same-day technical rehearsal followed by a continuous, uninterrupted performance.
Engineered and delivered two dedicated audio feeds: one for the director’s reference and one for post-production.
Performance audio was captured using a solid-state field recorder at 32-bit float/48kHz providing an extended dynamic range. leveraging the flexibility of 32-bit float for distortion-free gain adjustment.
AWW Sessions: LIve Performances
Sound Designer – Re-Recording Mixer
Project Scope:
Two-day post-production process focused on enhancing and elevating production audio through creative sound design and precise audio editing.
Utilized Avid Pro Tools as the primary DAW, incorporating a mix of PSE (Pro Sound Effects) library assets and original drone-based musical elements to support narrative pacing and emotional tone.
Emphasis was placed on seamless integration of designed elements with dialogue and production sound to maintain clarity while enhancing storytelling impact.
AWW Films Production: Krunch Inspiration
sound design for animation x shorts
Demos & Exploration
re-design: user interface visual
Sound Designer – Sound Mixer
Project Scope:
Three-day post-production project for visual artist Ra, creating a sound design experience to complement and showcase his UI concept titled “ioT Themed.”
Designed, edited, and mixed an immersive audio landscape tailored to the visual language and interactive elements of the piece.
Pro Tools served as the core DAW for session management, audio processing, and final delivery.
Incorporated a wide range of sonic elements—including curated sound libraries and custom-designed textures—to enhance the thematic narrative. Applied industry-standard plugins such as Soundtoys, Waves, and Avid’s Audiosuite native toolset to craft a dynamic, spatially rich mix that amplified the conceptual tone of the work.
Re-Design: Parallel Studio: Kiehl’s Campaign
Sound Designer – Music Producer - Mixer
Project Scope:
Three-day audio post-production project for a visual campaign promoting Kiehl’s new product line.
Composed original music in Logic Pro X, blending organic textures with mechanical rhythms to reflect the campaign’s dual themes of nature and innovation. Developed a custom sound design palette using custom-recorded source materials, including glass bottles, balloon pumps, and other tactile objects, to create a unique auditory signature.
Used Pro Tools for sound design refinement, session organization, and final mix delivery—to build a cohesive and emotionally resonant piece.
Pro Sound Effects Competition: Halloween Scene
Sound Designer - Mixer
Project Scope:
One-day passion project focused on crafting a dynamic soundscape for an 18-second horror scene.
Utilized Avid Pro Tools as the primary DAW to design and mix an immersive audio experience. Carefully selected and automated room-specific reverbs to simulate realistic spatial reflections, attention to the door type and hinges was given to help the protagonist transition through different environments.
A pitched, evolving circus motif was layered strategically—introduced subtly, pulled back, then reintroduced at the reveal—heightening psychological tension and reinforcing the narrative arc.
Live Performance recordings
Alma Libre and Oscar Hernandez
Live Sound Mixer - Mixing Engineer
Project Scope:
Two-day production encompassing a live performance mix and a dedicated post-mix session for radio broadcast.
Managed front-of-house mixing for a live audience of 3,500+ using a Midas M32 console, delivering multiple discrete feeds for on-stage talent, satellite speaker zones, and archival. A direct pre-fader multi-channel feed was routed into Reaper for clean capture and mixing flexibility.
LACMA: Jazz At LAcma 30th Anniversary Performances
Live Sound Mixer - Mixing Engineer
Project Scope:
Two-day production encompassing a live performance mix and a dedicated post-mix session for radio broadcast.
Managed front-of-house mixing for a live audience of 3,500+ using a Midas M32 console, delivering multiple discrete feeds for on-stage talent, satellite speaker zones, and archival. A direct pre-fader multi-channel feed was routed into Reaper for clean capture and mixing flexibility
Music production x Music Sync
Major Label and Independent work
Recording Engineer - Mix Engineer
Project Scope:
Collaborated with a diverse range of artists and songwriters—from major label writing camps to intimate indie studio sessions—to craft music tailored to each creative vision.
Engineered sessions in high-end studios across the Los Angeles area, operating multimillion-dollar equipment to capture industry-grade sound.
Worked on meditative albums to craft a soundscape for the wellness demographic
Led professional recording workflows using cutting-edge software and hardware tools to ensure pristine audio quality at every stage of production.
Music for Sync Publishing
Live Sound Mixer - Mixing Engineer
Project Scope:
Worked on a range of case-by-case music production projects, applying deep music theory knowledge to develop foundational ideas that passed publisher vetting.
Collaborated with co-producers to refine and expand concepts, shaping compositions that aligned with the signature “TV-ready” sound for sync and licensing markets.
Contributed to works that were ultimately signed by leading music libraries, including Position Music and Atrium Music.
